In a candid discussion, the acclaimed performer reflects on topics ranging from her latest role as Queen of the Cuttlefish to the profound lessons learned through onstage mishaps and meeting admirers.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Straight away, the blue groper residing near a specific shoreline – since it is like an institution, and people go there to see it. It strikes me it’s cool that a resident aquatic creature that folks genuinely seek out and discuss – it’s a special fish.
What film do you always return to, and why?
The 1942 film To Be Or Not To Be. I love this picture. When I was growing up, it would air on television every now and again, and one time I videotaped it. I found it was so funny. It stars Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and I discovered that it was the preferred movie of a friend of mine, and so we went and simply chuckled and laughed. It is a great piece of comedy and all the actors in it are fantastic. The director Mel Brooks did a remake in the 1980s – which was not as effective. But the original film is an exceptional farce, worth viewing often.
What is the most valuable lesson you learned from someone a colleague?
I was doing A Doll’s House with Pete – now my spouse, but at the time we were not a couple. We portrayed characters opposite each other and on opening night I stumbled – I jumped ahead some dialogue in the script. I was unaware what I’d done but I abruptly sensed something wasn’t right. I recall glancing toward him, and he expertly rescued the moment, and then the scene took off again and proceeded splendidly. However, I believe the insight gained then was, first, consistently rely on the individuals you’re working with. If you don’t know your place, if you turn around and toward the people you’re with, you will find your correct position somehow. It is a profoundly collaborative endeavor, acting on stage. And next, just to have a sense of fun about it. Sometimes when a mistake occurs, things can ignite in a really great way if you’re really present then. It can be an unexpected boon when things go absolutely the wrong way.
What’s been your most touching encounter with a fan?
It’s not just one specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I hear a lot of accounts about how that character meant to them when they were younger … things that had happened in their lives and the extent to which that character meant to them and was a form of support to them in those times.
Which questions get asked most frequently by Lord of the Rings fans?
The most detailed question is invariably regarding that infamous meal that Eowyn serves Aragorn. “Did that stew taste as terrible as it looked?” It’s become such a joke, the whole thing involving that dish, and all fans wish to know the contents of the stew, and its preparation method, and do you think she’s a better cook now, or do you believe she really is a poor chef? People are, in my view, obsessed with the comedy of that scene. And I provide great detail listing the ingredients that constituted the concoction – because I remember what they did; such as adding pieces of red cotton to simulate the appearance like blood vessels in the meat. The crew employed great detail to make it look as unappetizing as possible.
What’s been your most embarrassing run-in with a famous person?
I was at a fitness session and another participant lying down exercising, and the teacher remarked, “Oh, Miranda, meet Miranda.” And I made a lighthearted remark inquiring, “oh, are you a journalist?” Since Miranda is an unusual name and often when someone’s a Miranda, they work in media. I hadn't properly identified her. And when she got up, it was Miranda Richardson. At that point, I was at a loss for words. I still had to stay and do my class, and I experienced intense awkwardness. I wished to explain: “Goodness, I am aware of your work!” I think her talent is immense and I was simply too awestruck to say anything.
Articles have repeatedly stated that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you settle the matter definitively?
Indeed, I was named after a district in Sydney. My mother heard on the radio that they were inaugurating a mall at that location, and she thought sounded like a pleasant choice.
What was the chaotic thing that’s ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the least organized set I’ve ever worked on, and yet the film emerged brilliantly. But the local crew operated in a distinct manner. Their concept of time there is unique. Typically, you normally have a call sheet and you have to be on set by a certain time. But this was rather flexible – one would appear whenever you happen to be ready. It was a really different way of working for me. The elements were all coming together at the final moment, and at times they wouldn’t know where they were shooting or how we were going to do it. And then you’d be in during a scene and be like, “What caused that sound that disturbed the scene? Ah, it was the producer popping open some champagne on set, because he’s making a party.” The result was great, but wow, it’s a really different style of film-making.
Do you have a secretly good at?
I’ve always been an aptitude for numbers. I retain numbers more readily than I memorise words a lot of the time, I simply have that kind of a brain. So I think had I not pursued acting, I likely might have worked in involving numbers, like mathematics or accounting.
What is the greatest piece of advice you have ever received?
During my time in secondary school, a speaker addressed us as we were graduating and they said, “have no fear to fail” … an idea I consider is the best piece of advice, since one gains far more from failure than is gained from triumph. With success, one rarely comprehends precisely why it happened. With failure, the lessons are abundant.
A financial analyst with over a decade of experience in trading and market research, specializing in technical analysis and risk management.